By Bruce Chatwin
Even if he's top recognized for his luminous reviews from the farthest-flung corners of the earth, Bruce Chatwin possessed a literary sensibility that reached past the go back and forth narrative to span a global of topics—from artwork and antiques to archaeology and structure. This lively selection of formerly overlooked or unpublished essays, articles, brief tales, shuttle sketches, and feedback represents each point and interval of Chatwin’s occupation because it finds an abiding topic in his paintings: his fascination with, and starvation for, the peripatetic existence.
While Chatwin’s poignant look for an appropriate position to “hang his hat,” his compelling arguments for the nomadic “alternative,” his revealing fictional bills of exile and the unique, and his wickedly en pointe social background of Capri end up him to be a great observer of social and cultural mores, Chatwin’s personal restlessness, his craving to be at the movement, glimmers underneath each floor of this spectacular physique of labor.
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Extra info for Anatomy of Restlessness: Selected Writings 1969-1989
The embattled defenders hold a 'Council of War' (D, 420) and in their urgent desire to redeem souls they go out, says Van Helsing, 'as the old knights of the Cross' (D, 381). 'This battle is but begun,' he announces, 'and in the end we shall win- so sure as that God sits on high to watch over His children' (D, 375). So successful, in fact, are the human participants in this 'battle' that they are able not only to rout the enemy but to stage a counter-invasion, pursuing the beaten foe to his last stronghold and there destroying him.
5. : Popular Press, 1988). Walter E. Houghton, The Victorian Frame of Mind 1830-1870 (New Haven: Yale University Press, 1957). George Lakoff and Mark Johnson, Metaphors We Live By (Chicago: University of Chicago Press, 1980). ' in her The Language of the Night: Essays on Fantasy and Science Fiction, ed. Susan Wood (New York: Perigee, 1979). George MacDonald, Phantastes: A Faerie Romance, 1858 (Grand Rapids: Eerdmans, 1981). George MacDonald, Lilith: A. Romance, 1895 (Grand Rapids: Eerdmans, 1981).
This reversal can be paralleled, though it operates in a more complex way and to serve a different intention, in The War of the Worlds. The point of Wells's book is not simply that Western humanity's supreme confidence in their mastery of nature can be ironically exploded by the advent of beings immeasurably superior to themselves. For, in a sense, the human race actually is the superior one, simply by being better adapted to life in its own environment. The gradual acquisition of an immunity to microbes has rendered humans finally stronger than the Martians : It was inevitable.
Anatomy of Restlessness: Selected Writings 1969-1989 by Bruce Chatwin